With ›the fault lines‹, choreographers Meg Stuart and Philipp Gehmacher and visual artist Vladimir Miller have achieved a sensitive masterpiece. What begins as an intense physical interaction gradually, almost imperceptibly, becomes a fascinating video installation. Again and again the perspectives of the audience on the two performers shift. While at the beginning they are bodies that seem entangled with another in love or struggle, the installation level of the video gradually reveals details that were previously concealed.  Random movements and only seemingly fleeting moments take on a new meaning—a truth all its own along the ›the fault lines‹ between two extremely vulnerable bodies that encounter one another in intimacy and distance, in dream-like abstraction and undisguised precision, manipulating and repairing, dividing, separating, and finding one another once again.