The evening offers an insight into the vast creativity of a new generation of artists. P.A.R.T.S. is recognised as one of Europe's leading and direction-setting dance training centres and collaborates regularly with PACT on projects such as D&eacut;parts and the International Dance Exchange Ruhr.

RABBIT HOLE


Knowing the trick can be as much fun as being fooled. Like Alice following the rabbit, she becomes quite distracted along the way, even forgetting why she began... Film and choreography join forces to blur the clear distinctions of perception, halfway the dust of a brick factory in Flanders.
Combining research from several years, beginning in a brick factory in Flanders, the project had it's debut as a film in May 2003. After making the first film, we wanted to go further and integrate the film not only in the cinematic environment, but to expose it in a theaterical context within a live performance. The first film took work from the studio into the factory. We decided to go back to the factory to collect material specific to the factory, and work with the images in the studio.


Created and performed by: Gilles Fumba, Domenico Giustino and Kajsa Sandström


Filmed by: Caroline Michaud-Hérard


Mastered by: Peter Lenaerts


Theoretical consultant: Jonathan Michielsen


Set: Peter Fol

FIGURE F


Forms are folded matter, the body is matter formed and folded. I fit the folded forms of my body into the frame of this performance. The performance is framed by its beginning and end. It is folded in time and space, between the opening and the closing curtain.


Made and danced by Ula Sickle (CA/BE)


Mentor: Rudi Laermans


Thanks to Mette Ingvartsen, Peter Lenaerts, Xavier Le Roy

B-FOLD


Where am I from? What is at work? What is the end of a civilization?


Project initiation: Justin Garrick


Made and performed by Anne-Linn Akselsen, Kaya Kolodziejczyk, Justin Garrick, Kajsa Sandström


Sound: Aufnahmen des angesehenen Sprechers von Harry S. Truman, von Richard M. Nixon und Nikita Krushchov bei der Kitchen Debate, von den Prinzessinnen Elizabeth und Margaret, Marilyn Monroe


Music: Bernard Herrmann, Tony Conrad, Georg Friedrich Händel, Aphex Twin, June Tyson und Sun Ra


Video: David Bergé

METTE INGVARTSEN OUT OF ORDER


What happens when narratives no longer follow the causes and effects they are suppose to? Out of order can be understood as the relationship of power between the controlling and the controlled. The one with the gun, pointing and the one being pointed at, the one giving orders and the one obeying them, the director and the directed, manipulator and manipulated. Out of Order is about disturbing these features as fixed properties or positions that are not allowed to move.
Three girls with guns, shifting between pointing and being pointed at, directing and Being directed. Moving in and out of the space, the scenes, the characters and in and out of stillness and movements. A machine spitting out stills, fragments, movements and sequences in wrong order.


Concept: Mette Ingvartsen


Created and performed by: Kaya Kolodziejczyk, Manon Santkin, Mette Ingvartsen

PAS DODO


In 'Pas dodo' the dancers explore the border lines between improvisation and set material trying to find out how can one look like one another. They took as starting point animal behaviour and instinct such as mating dances, giving birth, l earning different skills etc. Through this process they come up with the terms 'Never mind centering' and 'Relief technique' which define this piece.


Choreography and Dance Zsuzsa Rózsavölgyi & Gabor Varga


Light and Sound: Peter Fol


Music: verschiedene Künstler

GOLDFISH AND FLIES


How would the working process continue if you began by following goldfish? Could 3 people give the responsibility for the beginning step to 30 seconds of 2 goldfish lives in a cognac glass? The various ways of generating material ranged from setting improvisation to watching 2 goldfish very intensley


Created and performed by Domenico Giustino, Frauke Mariën & Joshua Zimmerman


Music: Frauke Mariën, Tom Pauwels


Remixing: Domenico Giustino


Spatialization Programing: Travis Robertson


Special thanks to "lefty" und "righty"

... etc