Adéọlá Ọlágúnjú

10.10.2021

Artist Adéọlá Ọlágúnjú works in photography, video, sound and installation. In her work, Ọlágúnjú often explores considerations of the self, memory, spirituality, healing and social environment and structure. Her work has been shown and awarded internationally at festivals, museums and galleries.

Residencies

Alireza Mirmohammadi performt auf der Bühne. Das Foto zeigt Alireza auf dem Boden hockend, hinter einem transparenten Stoff, auf den ein Bild projiziert wird.

#ResidencyInsights

During the residency at PACT, Alireza Mirmohammadi and Maryam Ghiasi worked together on ›Mangle‹.›Mangle‹, a collaboration between the two artists, is a performance that brings together contemporary dance and media art to explore the tension between imposed visibility and the desire for inner freedom. Through choreography, sound, and abstract videos, including elements of digital art, the piece follows a physical and emotional journey from external conformity toward layered inner complexity.

Residencies

Three Persons sit on the floor of a sunlit dance hall. They sit close to on another and are facing each other. They appear to be singing.

#ResidencyInsights

During my residency at PACT Zollverein, I explored sound as both a disruptive force and a cultural expression, drawing inspiration from the paredão de som phenomenon in Brazil’s favelas. These automotive sound systems, known for their extreme volume, became a lens to examine tensions between tradition, resistance, and noise. Collaborating with four dancers, we blended made-up folk dances with Brazilian funk and dynamic choreography, using movement and sound to challenge ideas of belonging, cultural identity, and appropriation.

Residencies

Three people are sitting at a table facing the camera. Laptops, coffee cups and notepads are spread out on the table.

#ResidencyInsights

Während der Residenz bei PACT lag der Fokus auf ersten inhaltlichen Recherchen und der Erprobung von Ideen im Raum. Im bereichernden Austausch mit der Dramaturgin Maja Zimmermann, Mina Mahmoudian (Projektleitung Urbane Beziehungen) und Sika Azanledji (Projektleitung WerkStadt) von PACT wurden wesentliche Ansätze für die Umsetzung weiterentwickelt und das Gesamtkonzept des Stücks ausgearbeitet.

Residencies

Priyakshi Agarwal on stage between taut yarn. The light is shallow, barely lighting up the set and the performer.

#ResidencyInsights

›Nanga Kapda‹ (The Naked Cloth) is a research-based performance that focuses on the question of choice and freedom associated with weaving practices and women’s bodies. As a retake on feminist history of »performance as resistance«, ›Nanga Kapda‹ examines the link between movement and the material presence of textiles and their long history of production in India, a work principally done by caste-oppressed women.

Residencies

#ResidencyInsights Juli Grönefeld, Marei Dierßen, Simon Vorgrimmler und Marlene Helling

Das interdisziplinäre Team, bestehend aus Soundartist Juli Grönefeld, der bildenden Künstlerin Marei Dierßen, dem Videokünstler Simon Vorgrimmler und der Performerin Marlene Helling, beschäftigte sich im Rahmen ihrer PACT Residenz mit dem Thema Tiefseebergbau. Außerdem kollaborierte die Lichtdesignerin Desirée García López an einigen Tagen mit dem Team.

Residencies

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#ResidencyInsights Nancy Awori

»During the residency program I got an opportunity to work on a short production, which I call ›Shades of Resilience‹. Introducing Fahe Kerubo, a remarkable black queer woman living in Kenya, this episode delves into her personal life, exploring her relationships, struggles with mental health, and the supportive networks she has built. Fahe's journey is a testament to resilience, showcasing her role as a trailblazer who inspires future generations.«

Residencies

Vier Performer:innen, gekleidet in langen, fließenden Gewändern, befinden sich in einer kraftvollen Tanzpose auf einer dunklen Bühne. Sie scheinen sich energisch zu bewegen, mit gebeugten Knien und nach vorn geneigten Oberkörpern. Die Bühne ist minimal beleuchtet, sodass nur die Tänzer in den Fokus geraten.

#ResidencyInsights Salamata Kobre

Die Residenz bei PACT war für Salamata Kobre und ihre Compagnie die letzte Etappe in der Entwicklung des Stücks ›Mangeuses d'âmes‹, das direkt im Anschluss im Juni 2024 seine Premiere am Théâtre Paris-Villette feierte.

On Stage Residencies

Throwback ›Memories & Resistance‹

Current and former residents at PACT provided insights into artistic working processes. With Idylla Silmarovi, Edgar Kanakykõ Xakriabá, iSaAc Espinoza Hidrobo, Roman Jungblut and Qusay Awad.

Residencies

Ein Eiswürfelform gefüllt mit Erde aus der Kabel in verschiedenen Farben ragen und die Fächer der Eiswürfelform miteinander verbinden

#ResidencyInsights bacilli

»bacilli (Shotaro Yoshino, Yoshitaka Nanjo & James Jack; based in the archipelago of Japan) listen closely to the energy of microorganisms inside the soil in Zollverein—what do these bacteria inside of land say to us? In this residency we layered geological research on coal memories, oral histories with residents in Ruhr on what gives them energy today and connecting power circuits with imaginative thinking.«

Residencies

Ein Gruppenfoto mit vier Personen mit Theaterstrahlern leicht von unten angeleuchtet, Bemalungen im Gesicht, in einem Raum mit weißen Vorhängen an den Wänden, Äste und Gestrüpp hinter der Gruppe arrangiert

#ResidencyInsights Kukily Colectivo

»Our residency at PACT was an exciting and intense period of work on our new project XTRÆNCESTRAL, set to premiere at the Lagos Biennial in February 2024. It was also a time to come together and work on our body-based performance practice, after several years of long-distance artistic processes.«

Residencies

Raz Slavarito mit bunter Projektion auf dem Gesicht

Retrospektive: Residency Café Plants & Memories

Changing memories of weather phenomena or plants as sources of food and reservoirs of knowledge: the open Residency Café ›Plants & Memories‹ offered insights into the work of resident artists Razcel Jan Salvarita and aniara rodado.

Residencies

En Skater spring mit seinem Skateboard über eine liegende Person im Flur von PACT Zollverein

#ResidencyInsights Márcio Kerber Canabarro

»When I grasp an environment is acknowledging me, I feel a strong sense of continuation, (and extension) of belonging. It might be a mutual process, where my focus gets curious to notice where I am, the place, the situation, the density of a particular room, the feelings that rise and the sensations that leave...«

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