Lillian Canright

Formally and thematically drawing on both video art and classic cinema, Lillian Canright’s work most often takes the form of semi-fictional video essays that collage together a variety of sources unified by an unreliable and unstable »I« voice. With a background in literature and philosophy as well as video production and cinema history, her primary interests lie in performance, persona, and the degradation, distortion, and replication of images.

To date at PACT